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Culture and Cruelty in Nietzsche, Dostoevsky, and Artaud

, Dostoevsky, and Artaud each pushed back against the optimism of the enlightenment through their writing and advanced the idea of cruelty as lying at;

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Nietzsche and Dostoevsky

second, metaphorical encounter between Nietzsche and Dostoevsky happened on the verge of nihilism. Nietzsche announced the death of God, whereas;

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Against Nihilism - Nietzsche meets Dostoevsky

Described by Thomas Mann as "brothers in spirit, but tragically grotesque companions in misfortune," Nietzsche and Dostoevsky remain;

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Antonin Artaud Terminal Curses

Antonin Artaud is one of the great cultural legends of the 20th century. His Theatre of Cruelty altered the course of modern theatre and;

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Existentialism From Dostoevsky To Sartre

Collects philosophical writings by Dostoevsky, Nietzsche, Rilke, Kierkegaard, Kafka, Jaspers, Ortega, Heidegger, Camus, and Sartre, and;

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Against Nihlism

Described by Thomas Mann as “brothers in spirit, but tragically grotesque companions in misfortune,” Nietzsche and Dostoevsky remain;

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Nietzsche and Dostoevsky

After more than a century, the urgency with which the writing of Fyodor Dostoevsky and Friedrich Nietzsche speaks to us is undiminished;

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Antonin Artaud

Kristeva, Maurice Blanchot, Herbert Blau, Leo Bersani and Susan Sontag. Antonin Artaud was one of the most brilliant artists of the twentieth;

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Antonin Artaud

Kristeva, Maurice Blanchot, Herbert Blau, Leo Bersani and Susan Sontag. Antonin Artaud was one of the most brilliant artists of the twentieth;

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Artaud's Theatre Of Cruelty

The definitive guide to the life and work of Antonin Artaud Antonin Artaud's theatre of cruelty is one of the most vital forces in world;

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Afscheid van wat nooit geweest is

Een bundel essays en aforismen over de denkers Nietzsche en Heidegger, de dichters Hölderlin en Artaud en de schilders Tapies en Van Velde.;

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Basic Writings of Existentialism

A collection of existentialist writings includes pieces by such figures as de Beauvoir, Dostoevsky, and Nietzsche and represents the;

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Existentialism

With Selections from Kierkegaard, Turgener, Dostoevsky, Nietzsche, Hesse, Heidegger, Marcel, Jaspers, Kafka, Gide, Sartre, Merleau-Ponty;

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Existentialist Background: Kierkegaard, Dostoevsky, Nietzsche, Jaspers, Heidegger

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.;...

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Student Guide to Antonin Artaud

Discusses Artaud's influence over theatre and investigates why his theories and the questions he asked still reverberate in contemporary;

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The Smile of Tragedy

aesthetics, rejects Aristotle's medicinal interpretation of tragic art and concentrates on Apollinian cruelty as a form of intoxication without which;

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The Smile of Tragedy

aesthetics, rejects Aristotle's medicinal interpretation of tragic art and concentrates on Apollinian cruelty as a form of intoxication without which;

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The Medieval Theater of Cruelty

better able to understand not only the enduring theater of cruelty identified by theorists from Isidore of Seville to Antonin Artaud, but also;

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The Medieval Theater of Cruelty

better able to understand not only the enduring theater of cruelty identified by theorists from Isidore of Seville to Antonin Artaud, but also;

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Nietzsche's Culture of Humanity

meritocracy that drew on the classical German tradition of Kant and Herder. The young Nietzsche's 'culture of humanity' synthesized the high and low;

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Antonin Artaud and the Healing Practices of Language

The life of Antonin Artaud (1896-1948) was tormented by physical and mental illnesses. Already in his earlier works, Artaud tried to;

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Romanticism and Evolution: The Nineteenth Century

, James, Baudelaire, Schopenhauer, Kierkegaard, Nietzsche, Dostoevsky, and others. Between them, these two movements carried Western thought from;

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Fyodor Dostoevsky, Walker Percy, and the Age of Suicide

Fyodor Dostoevsky, Walker Percy, and the Age of Suicide is a study of the phenomenon of suicide in modern and post-modern society as;

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The Lukacs Reader

translations, and with introductory essays, Lukacs on: Kierkegaard, Shakespeare, Ford, Strindberg, Ibsen, Wilde, Shaw, Gaughin, Dostoevsky, Nietzsche;

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Artaud the Moma

and for him to lecture on Artaud in that institutional context. Thinking over the performative force of Artaud's work and the relation between;

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Einde inhoud

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