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Copyright Law and the Public Interest in the Nineteenth Century

Copyright law is commonly described as carrying out a balancing act between the interests of authors or owners and those of the public;

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Rethinking Copyright

discourse. It exposes as myth the orthodox history of the development of copyright law in eighteenth-century Britain and explores the way in which;

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Rethinking Copyright

discourse. It exposes as myth the orthodox history of the development of copyright law in eighteenth-century Britain and explores the way in which;

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Copyright and the Public Interest in China

copyright and the public interest, aligning not only the Western commitment to individual creativity but also supporting public access to and use;

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Internationalisation Of Copyright Law

Canada), America, and the UK. As we consider the reform of modern copyright law, nineteenth-century experiences offer highly relevant empirical;

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Cambridge Intellectual Property and Information Law

Canada), America, and the UK. As we consider the reform of modern copyright law, nineteenth-century experiences offer highly relevant empirical;

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Copyright and the Public Interest

copyright, including its moral and economic functions, in the lightof the public interest. Technical developments and the information society have;

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American Women Authors and Literary Property, 1822-1869

Property, 1822-1869, revises nineteenth-century American literary history, making women's authorship and copyright law central. Using case studies;

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American Women Authors and Literary Property, 1822-1869

Property, 1822-1869, revises nineteenth-century American literary history, making women's authorship and copyright law central. Using case studies;

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Art and Modern Copyright

protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number;

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Art and Modern Copyright

protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number;

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Copyright, Communication and Culture

relational theory of copyright based on a dialogic account of authorship, and guided by the public interest in a vibrant, participatory culture;

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Research Handbook on the History of Copyright Law

There has been an explosion of interest in recent years regarding the origin and of intellectual property law. The study of copyright;

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Research Handbook on the History of Copyright Law

There has been an explosion of interest in recent years regarding the origin and of intellectual property law. The study of copyright;

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The Cambridge Handbook of Copyright Limitations and Exceptions

, attorneys, teachers, judges, and students with an interest in the theories, policies, and doctrines of copyright law.;

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Copyright in Islamic Law

Copyright in Islamic Law is the first work in English to systematically address the ideas of intellectual property and copyright from an;

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Copyright in Islamic Law

Copyright in Islamic Law is the first work in English to systematically address the ideas of intellectual property and copyright from an;

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Execution Culture in Nineteenth Century Britain

perspective on nineteenth century execution culture, with a focus on Scotland, Wales and the regions of England. From Public Spectacle to Hidden;

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Codification of European Copyright Law

copyright law; and moreover, the Lisbon Treaty has provided an explicit legal basis for an EU copyright policy. At this moment, all views, interests;

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What's Wrong with Copying?

Copyright law, as conventionally understood, serves the public interest by regulating the production and dissemination of works;

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Cambridge Library Collection - History of Printing, Publishing and Libraries

of copyright laws in Britain. Maugham was writing at a time when the rights of the 'scholar' and the 'artist' were under great debate, themes;

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Literary Copyright Reform in Early Victorian England

Talfourd's first Copyright Bill was presented in 1837, and the public and Parliamentary controversy it provoked is reflected;

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Copyright Law: Volume II

regulation, and the growth, in the 20th century, of copyright industries benefitting from new copyright laws. In the second half of the 19th century;

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Networks of Power in Digital Copyright Law and Policy

development of copyright law in the EU. Farrand utilises Foucault's concept of Networks of Power and Culpepper's Quiet Politics to assess the adoption;

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Networks of Power in Digital Copyright Law and Policy

development of copyright law in the EU. Farrand utilises Foucault's concept of Networks of Power and Culpepper's Quiet Politics to assess the adoption;

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New Directions in Copyright Law, Volume 6

methodological approaches to issues in copyright law. This volume, and the series of which it is the final part, is structured around the six themes;

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Authors, Users, and Pirates

over copyright law, the author, the user, and the pirate are almost always invoked. Some in the creative industries call for more legal protection for;

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