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Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili

, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond;

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Chinese Modernism in the Era of Reforms

intellectual discourse. In examining the aesthetic and philosophical formulations of the New Era's intellectual elites, Zhang first analyzes the;

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Zhang Hongtu

artist Zhang Hongtu. A pioneer in contemporary Chinese art, Zhang created the first example of China Pop art, and his oeuvre is as diverse;

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Chinese Philosophy and Contemporary Aesthetics

The purpose of Chinese Philosophy and Contemporary Aesthetics is simple and straightforward: to discuss empty, nothing, opening, white;

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Zhang Zai's Philosophy of Qi

philosophical analysis in contemporary times. The purpose of this book is to provide a thorough and proper understanding of Zhang Zai's philosophy of qi;

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Deep China

Deep China investigates the emotional and moral lives of the Chinese people as they adjust to the challenges of modernity. Sharing a;

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Deep China

Deep China investigates the emotional and moral lives of the Chinese people as they adjust to the challenges of modernity. Sharing a;

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The Soul of Creation Shensi

configuration, the book provides a valuable introduction to aesthetic theory in Chinese philosophy and art.;

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The Soul of Creation Shensi

configuration, the book provides a valuable introduction to aesthetic theory in Chinese philosophy and art.;

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Driving toward Modernity

In Driving toward Modernity, Jun Zhang ethnographically explores the entanglement between the rise of the automotive regime and emergence;

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Driving toward Modernity

In Driving toward Modernity, Jun Zhang ethnographically explores the entanglement between the rise of the automotive regime and emergence;

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The History and Spirit of Chinese Art

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The History and Spirit of Chinese Art

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The Bloomsbury Research Handbook of Chinese Aesthetics and Philosophy of Art

range of aesthetic creations and notions. Introducing various perspectives on traditional arts in China, including painting, ceramics;

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Globalisation and Contemporary Chinese Cinema

late 1970s, and moved from an ideologically-centred censorship system to one of contestation and cooperation between politics, art and market;

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Religion and Prison Art in Ming China (1368-1644)

, aesthetics, poetry, music, and visual and material culture, Zhang illustrates how the prisoners understood their environment as creative and engaged;

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Studies in the Art of China and South-east Asia

introductory paper that explores the value of the traditional aesthetic for the future of China and East Asia. The developments in Chinese art in the;

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Contemporary Chinese Literature

This book offers a case study of four of the most influential contemporary Chinese writers and 'cultural bastards' - Duoduo, an underground;

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Contemporary Chinese Literature

This book offers a case study of four of the most influential contemporary Chinese writers and 'cultural bastards' - Duoduo, an underground;

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The Fate of Art

uses the experience of art and the discourse of aesthetics to criticize the fragmentation of modernity. He examines in detail their responses;

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The Chinese Aesthetic Tradition

protests of 1989, Li published works on Kant and traditional and contemporary Chinese philosophy. The present volume, a translation of his Huaxia;

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Unsettled Boundaries

Western authors mutually attempt to integrate ideas from their respective Chinese and Western aesthetic theories and art practices into their;

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Aesthetics and Modernity

Aesthetics and Modernity brings together Agnes Heller's most recent essays around the topics of aesthetic genres such as painting, music;

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Aesthetics and Modernity

Aesthetics and Modernity brings together Agnes Heller's most recent essays around the topics of aesthetic genres such as painting, music;

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The Psychologizing of Modernity

interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as;

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The Psychologizing of Modernity

interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as;

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The Chinese Taste in Eighteenth-Century England

goods, art and decorative objects. However, they were also often troubled by the alien aesthetic sensibility these goods embodied. This;

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