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Churches in the Irish Landscape Ad 400-1100

of local origin co-existed alongside Christianity. Finally, in the Viking Age (800-1100), some lesser churches were abandoned while community;

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Early Medieval Ireland, AD 400-AD 1200

This impressive survey covers the early history of Ireland from the coming of Christianity to the Norman settlement (400 - 1200 AD). Within;

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Royal Inauguration in Gaelic Ireland c.1100-1600

, ringforts and churches, and associated inauguration furniture in the form of leaca and stone thrones, basin stones and sacred trees. Irish royal;

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Form and Order in the Anglo-Saxon World, AD 400-1100

The aim of this volume is to explore Anglo-Saxon perceptions of form and order in their different manifestations, through two main;

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Literacy And Identity In Early Medieval Ireland

full, inter-disciplinary examination of the Irish literate elite and their social contexts between ca. 400-1000 AD. It considers the role;

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Making a Landscape Sacred

This book examines the landscape in southwestern Crete from AD 1000-2000, using a phenomenological approach. Specifically, the;

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'Rendering to God and Caesar'

1973. It considers the opening years of the Troubles in Northern Ireland and their impact on the main churches, and also the relationships;

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'Rendering to God and Caesar'

1973. It considers the opening years of the Troubles in Northern Ireland and their impact on the main churches, and also the relationships;

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Perceptions of the Prehistoric in Anglo-Saxon England

Anglo-Saxon psyche, and examines how Anglo-Saxon communities perceived and used these monuments during the period AD 400-1100. Sarah Semple;

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Landscape and Politics in the Ancient Andes: Biographies of Place at Khonkho Wankane

the Late Formative period (200 BC-AD 500), just before the emergence of the urban state centered at Tiwanaku (AD 500-1100). Late Formative;

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Excavations At Five Finger Ridge OP #5

bone, all of which is reported in detail. The site dates to the late Fremont period, ~AD 1100 to AD 1300.;

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And Shall These Mute Stones Speak?

Dumnonia (Devon, Cornwall and part of Somerset). The author looks at cultural change after AD 400 by analyzing the evidence or messages left on;

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Traces Behind the Esmeraldas Shore

sequential and partly regional; 25 C14 dates extend from ca. 400 BC to AD 1400. Settlements become smaller, more dispersed, and culturally isolated;

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Burial in Early Medieval England and Wales

during the period c. A.D. 400-1100. The demographic composition of cemeteries, burial rites and mortuary behaviour are considered alongside the;

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The Vikings in Britain and Ireland

For nearly three hundred years, from the end of the eighth century AD until approximately 1100, the Vikings set out from Scandinavia across;

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Irish Contemporary Landscapes in Literature and the Arts

Looking at representations of the Irish landscape in contemporary literature and the arts, this volume discusses the economic, political;

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Griekse Kunst en Archeologie

:Aegeïsch gebied, 3000 - 2000 v. Chr.Midden-Bronstijd, 2000 - 1500 v. Chr.Late Bronstijd, 1550 - 1100 v. Chr.Periode;

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Population, Providence and Empire

in its religious context, by asking how the Irish Catholic, Anglican and Presbyterian churches responded to mass emigration. Did they facilitate;

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Cambridge Studies in Archaeology

of the past and the dead, and hence social identities, were constructed through mortuary practices and commemoration between c. 400-1100 AD;

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Britain and the End of the Roman Empire

Questioning many current assumptions, this wide-ranging study presents a radical reinterpretation of Britain in the period AD 400-600.;

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Women In Early Medieval Europe, 400-1100

This history of the early European middle ages combines the rich literature of women's history with original research in mainstream history;

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Stepping through Origins

in literature. For Irish writers from Swift to Heaney, the Irish landscape has remained not only a reflection of Irish troubles but, much like aesthetic;

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Stepping through Origins

in literature. For Irish writers from Swift to Heaney, the Irish landscape has remained not only a reflection of Irish troubles but, much like aesthetic;

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