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plays' external audiences. Choral Identity and the Chorus of Elders in Greek Tragedy presents U.S. Dhuga's radical reappraisal of the ancient;
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This volume explores how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms;
Vergelijkbare producten zoals Choral Mediations in Greek Tragedy
This volume explores how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms;
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in the context of a theatre industry extending far beyond the confines of the City Dionysia and the city of Athens, the identity of choral;
Vergelijkbare producten zoals The Chorus of Drama in the Fourth Century BCE
Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek;
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Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek;
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alternately defiant and choral. In this scheme, Greek tragedy is something of a dreamland, the mysterious dynamics of which Woolf treats as;
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This is a unique introduction to Greek tragedy that explores the plays as dramatic artifacts intended for performance and pays special;
Vergelijkbare producten zoals Greek Tragedies as Plays for Performance
This is a unique introduction to Greek tragedy that explores the plays as dramatic artifacts intended for performance and pays special;
Vergelijkbare producten zoals Greek Tragedies as Plays for Performance
scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus;
Vergelijkbare producten zoals Understanding Greek Tragic Theatre
tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage;
Vergelijkbare producten zoals Understanding Greek Tragic Theatre
of the classical' outlined by Salvatore Settis, this book analyses discourses around community, democracy, origin and Western identity in stage;
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describe the African experience in the New World. The complex relationship between ancient Greek tragedy and modern African American theatre;
Vergelijkbare producten zoals Black Dionysus
Ivan Nyusztay's Myth, Telos, Identity: The Tragic Schema in Greek and Shakespearean Drama for the first time presents a systematic;
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tragedy. The tragic-ritual model offers a fresh look into the political and cultural function of the Aeneid, expanding our awareness of the poemÃs;
Vergelijkbare producten zoals Greek Tragedy in Vergil's "Aeneid"
tragedy. The tragic-ritual model offers a fresh look into the political and cultural function of the Aeneid, expanding our awareness of the poem's;
Vergelijkbare producten zoals Greek Tragedy in Vergil's "Aeneid"
for double SATB chorus unaccompanied This is Stanford's extended Latin setting of this text, written in 1918 and acknowledged as its;
Vergelijkbare producten zoals Magnificat, Op. 164
in works of Greek tragedy. It provides a careful introduction to the language of tragedy, Greek poetry as found in Electra, and to the nature and;
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of religion, and the role of his choral odes. Assuming no specialized knowledge, Ritual Irony is aimed at all readers of Euripidean tragedy. It;
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perspectives on every aspect of the post-fifth-century history of tragedy. Oft-neglected plays, such as Rhesus, Alexandra, and Exagoge (the only;
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perspectives on every aspect of the post-fifth-century history of tragedy. Oft-neglected plays, such as Rhesus, Alexandra, and Exagoge (the only;
Vergelijkbare producten zoals Greek Tragedy After the Fifth Century
, the power and range of the chorus, the use of theatrical space, and parody in the plays. A series of diagrams relates the theater to the city;
Vergelijkbare producten zoals A Short Introduction to the Ancient Greek Theatre
The Blackwell Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy, and also introduces them to the;
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for SATB soloists, SATB chorus, and string ensemble Composed during the early 1700s, Emanuele d'Astorga's nine-movement Stabat Mater;
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