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Choral Identity and the Chorus of Elders in Greek Tragedy

plays' external audiences. Choral Identity and the Chorus of Elders in Greek Tragedy presents U.S. Dhuga's radical reappraisal of the ancient;

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Choral Mediations in Greek Tragedy

This volume explores how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms;

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Choral Mediations in Greek Tragedy

This volume explores how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms;

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The Chorus of Drama in the Fourth Century BCE

in the context of a theatre industry extending far beyond the confines of the City Dionysia and the city of Athens, the identity of choral;

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Paths of Song

Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek;

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Paths of Song

Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek;

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Virginia Woolf's Greek Tragedy

alternately defiant and choral. In this scheme, Greek tragedy is something of a dreamland, the mysterious dynamics of which Woolf treats as;

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Greek Tragedies as Plays for Performance

This is a unique introduction to Greek tragedy that explores the plays as dramatic artifacts intended for performance and pays special;

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Greek Tragedies as Plays for Performance

This is a unique introduction to Greek tragedy that explores the plays as dramatic artifacts intended for performance and pays special;

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Understanding Greek Tragic Theatre

scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus;

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Understanding Greek Tragic Theatre

tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage;

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Reaching Athens

of the classical' outlined by Salvatore Settis, this book analyses discourses around community, democracy, origin and Western identity in stage;

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Black Dionysus

describe the African experience in the New World. The complex relationship between ancient Greek tragedy and modern African American theatre;

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Myth, Telos, Identity

Ivan Nyusztay's Myth, Telos, Identity: The Tragic Schema in Greek and Shakespearean Drama for the first time presents a systematic;

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Greek Tragedy in Vergil's "Aeneid"

tragedy. The tragic-ritual model offers a fresh look into the political and cultural function of the Aeneid, expanding our awareness of the poemís;

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Greek Tragedy in Vergil's "Aeneid"

tragedy. The tragic-ritual model offers a fresh look into the political and cultural function of the Aeneid, expanding our awareness of the poem's;

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Magnificat, Op. 164

for double SATB chorus unaccompanied This is Stanford's extended Latin setting of this text, written in 1918 and acknowledged as its;

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Euripides

tragedy and humour; why Euripides arranged the plot as he did; issues of class and gender; the credibility of the gods and heroes, and the power;

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Greek Tragedy, a First Reading

in works of Greek tragedy. It provides a careful introduction to the language of tragedy, Greek poetry as found in Electra, and to the nature and;

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Ritual Irony

of religion, and the role of his choral odes. Assuming no specialized knowledge, Ritual Irony is aimed at all readers of Euripidean tragedy. It;

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Greek Tragedy After the Fifth Century

perspectives on every aspect of the post-fifth-century history of tragedy. Oft-neglected plays, such as Rhesus, Alexandra, and Exagoge (the only;

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Greek Tragedy After the Fifth Century

perspectives on every aspect of the post-fifth-century history of tragedy. Oft-neglected plays, such as Rhesus, Alexandra, and Exagoge (the only;

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A Short Introduction to the Ancient Greek Theatre

, the power and range of the chorus, the use of theatrical space, and parody in the plays. A series of diagrams relates the theater to the city;

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Companion To Greek Tragedy

The Blackwell Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy, and also introduces them to the;

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Stabat Mater

for SATB soloists, SATB chorus, and string ensemble Composed during the early 1700s, Emanuele d'Astorga's nine-movement Stabat Mater;

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