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Black Masculinities in American Social Science and Self-Narratives of the 1960s and 1970s

This is a study of black masculinities produced in two distinct bodies of 1960s and 1970s texts: ethnographic accounts of black urban;

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Black Power on Campus

the mid-1960s and mid-1970s, with the Black student movement at the University of Illinois at Urbana-Champaign serving as an illuminating;

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Detroit: I Do Mind Dying

Black Workers as they became two of the landmark political organizations of the 1960s and 1970s. It is widely heralded as one the most important;

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Black Power and Palestine

struggle of the 1960s and 1970s. Michael R. Fischbach uncovers this hidden history of the Arab-Israeli conflict's role in African American activism;

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The Nation of Islam and Black Consciousness

discussions about the origins and formation of the Black Arts Movement of the 1960s and 1970s, which rarely give credit to the role of the Nation;

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The Hidden 1970s

whites, and women's self-defense. Essays and ideas trace the roots of struggles from the 1960s through the 1970s, providing fascinating insight;

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Autobiography and Black Identity Politics

racialization process that persistently places African Americans in the position of speaking from personal experience? In Autobiography and Black;

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Black Muslim Religion in the Nation of Islam, 1960-1975

Elijah Muhammad's Nation of Islam came to America's attention in the 1960s and 1970s as a radical separatist African American social and;

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Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972

and early 1970s. Aboriginal adaptation of the American Black Power movement paved the way for future forms of radical Aboriginal resistance;

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He Thinks He's Down

pop culture figures sought out and appropriated African American cultural trappings to benefit from what they believed were powerful Black;

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He Thinks He's Down

pop culture figures sought out and appropriated African American cultural trappings to benefit from what they believed were powerful Black;

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Searching for the New Black Man

masculine ideality and power. In tracing representations of ideal black masculinities and femininities, the author shows how black men's struggles;

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Searching for the New Black Man

Using the slave narratives of Henry Bibb and Frederick Douglass, as well as the work of W. E. B. Du Bois, James Baldwin, Walter Mosley, and;

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Reimagining Black Masculinities

potential to be without excluding current realities for Black boys and men, civic manhood, maleness, and the fluidity of masculinities. These;

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Mainstreaming Black Power

institutional transformation or black uplift. Retelling the story of the 1960s and 1970s across the United States-and focusing on New York, Atlanta, and;

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Mainstreaming Black Power

institutional transformation or black uplift. Retelling the story of the 1960s and 1970s across the United States-and focusing on New York, Atlanta, and;

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Alternative Masculinities in Feminist Speculative Fiction

conceptions of manhood. As this analysis illuminates, feminist works envisioning the improved society and its attending masculinities constitute an;

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Clio's Foot Soldiers

these questions by examining 1960s and 1970s social movements comprised of historically marginalized peoples: Civil Rights, Black Power, Women's;

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Clio's Foot Soldiers

these questions by examining 1960s and 1970s social movements comprised of historically marginalized peoples: Civil Rights, Black Power, Women's;

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Fighting for Our Place in the Sun

Liberation Day (ALD) were produced to serve as catalysts to extend the tradition of Black activism in the late 1960s and early 1970s. Scholars;

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Fighting for Our Place in the Sun

Liberation Day (ALD) were produced to serve as catalysts to extend the tradition of Black activism in the late 1960s and early 1970s. Scholars;

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Black America in the Shadow of the Sixties

of 1960s-era civil rights anniversaries against the realization of a black American presidency, and the stark social and economic conditions;

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Black America in the Shadow of the Sixties

of 1960s-era civil rights anniversaries against the realization of a black American presidency, and the stark social and economic conditions;

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African Americans of Des Moines and Polk County

Moines in the late 1960s and early 1970s, young African Americans discarded the term Negro and demanded to be referred to as Afro-American or;

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'By Our Own Strength'

Nationalism and Pan-Africanism re-emerged. Sherrill represents a bridge between the African American self-determination of the1920s and 1930s and;

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'By Our Own Strength'

Nationalism and Pan-Africanism re-emerged. Sherrill represents a bridge between the African American self-determination of the1920s and 1930s and;

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The Music in African American Fiction

in African American fiction. The book examines the impact of evolving musical styles and innovative musicians on black culture as is manifested;

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