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Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities;
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Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to;
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Shakespeare on Stage and Screen. Hamlet in Excerpts: Schülerband is een boek van Franziska Quabeck;
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A hands-on introductory guide to analyzing and discussing Shakespeare on screen. Part One establishes the differences between;
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Offers articles and interviews with movie actors from the silents to the present that discuss the art of film acting, including the;
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This collection of essays offers the first comprehensive treatment of British and American films adapted from modern British plays;
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In this new edition, Patrick Tucker retains the engaging style and useful structure of the first edition while addressing significant;
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In the 1890s, when Henry James tried to achieve fame and financial security by turning to the theatre, he was unceremoniously booed off the;
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In the 1890s, when Henry James tried to achieve fame and financial security by turning to the theatre, he was unceremoniously booed off the;
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as technological advances and latest industry trends. Photographs, charts, diagrams and graphics illustrate the procedures and concepts;
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Vergelijkbare producten zoals ON STAGE ON SCREEN. Import, STRANGLERS, DVD
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Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique;
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Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique;
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Desperate Housewives? Goldoni with Frasier? In Genre: A Guide to Writing for Stage and Screen Andrew Tidmarsh explores these questions and more;
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King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606, and is considered one of his greatest;
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This third collection of plays by Tom Stoppard contains his television plays, written between 1965 and 1984. They show that Stoppard's;
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In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and;
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In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and;
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Recounting the 106-year stage and screen history of J.M. Barrie's Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on The;
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