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Empire and Beyond

his social and political theory. Each text gives Negri the opportunity to test his ideas with politically committed audiences - a continuous;

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Audiences of Empire

/>In Audiences of Empire, author Elaine Bunn proposes a new subgenre, the populist national history play that is communal and deliberately expansive. She;

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Audiences of Empire

/>In Audiences of Empire, author Elaine Bunn proposes a new subgenre, the populist national history play that is communal and deliberately expansive. She;

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Performing Trauma in Central Africa

precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural;

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Performing Trauma in Central Africa

precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural;

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Stalin'S Empire Of Memory

between the Kremlin, non-Russian intellectuals, and their audiences. Yekelchyk posits that contemporary representations of the past reflected the;

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Juvenal's Global Awareness: Circulation, Connectivity, and Empire

language. Umurhan's analysis stresses that Juvenalian satire itself is a rhizome in both function and form. This study is designed for audiences;

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Juvenal's Global Awareness: Circulation, Connectivity, and Empire

language. Umurhan's analysis stresses that Juvenalian satire itself is a rhizome in both function and form. This study is designed for audiences;

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Modernism and Empire

implied audiences; Maire Ni Fhlathuin writes on Patrick Pearse and modernism; John Nash considers newspapers, imperialism and Ulysses; Howard J;

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In the Shadow of the Mongol Empire

the perceptions and actions of audiences at home and abroad, the Ming court tailored its narrative of the Mongols to prove that it was the;

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In the Shadow of the Mongol Empire

the perceptions and actions of audiences at home and abroad, the Ming court tailored its narrative of the Mongols to prove that it was the;

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Literature In The Roman World

'receivers' of literature: readers, spectators, and audiences. Six contributors, drawn from both sides of the Atlantic, explore the various and;

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Tudor Empire

offers a new narrative by focusing on another facet of the British past that has exercised an equally powerful grip on audiences: imperialism. It;

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Tudor Empire

offers a new narrative by focusing on another facet of the British past that has exercised an equally powerful grip on audiences: imperialism. It;

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Libanius: Ten Mythological and Historical Declamations

adult audiences. They also put the Hellenic past on display for audiences of the Greek East in the Roman Empire. The annotated translations are;

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Migrating Texts

vistas and new, hybrid genres to emerging literate audiences in the nineteenth and early twentieth centuries. Whether to propagate;

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Knowledge, Mediation and Empire

mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The;

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Knowledge, Mediation and Empire

mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The;

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Indian Captive, Indian King - Peter Williamson in America and Britain

peddled to his audiences, Williamson described his tribulations as an indentured servant, Indian captive, soldier, and prisoner of war. Aberdeen's;

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Cultural Politics in Polybius's Histories

Polybius contrived to tailor his historiography for multiple audiences, comprising his fellow Greeks, whose freedom Rome had usurped in his own;

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Chain of Gold

Barred from political engagement and legal advocacy, the second sophists composed and performed epideictic works for audiences across the;

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Paving the Empire Road

are current representations of race, the future of British television and its impact on multi-ethnic audiences. The chapters include an;

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Radio Empire

global audiences. While innovative authors consciously sought to incorporate radio's formal features into the novel, literature also exerted a;

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Radio Empire

global audiences. While innovative authors consciously sought to incorporate radio's formal features into the novel, literature also exerted a;

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The Captive Woman's Lament in Greek Tragedy

addresses the possible meanings ancient audiences might have attached to these songs. Casey Due challenges long-held assumptions about the;

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Camb Companion To The Age Of Constantine

. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a;

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Cambridge Comapnion To The Age Of Constantine

. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a;

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