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Scotland in Early Medieval Europe

Medieval Europe. Far from a 'dark age', Early Medieval Scotland (AD 300-900) was a crucible of different languages and cultures, the world of the;

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Scotland in Early Medieval Europe

Medieval Europe. Far from a 'dark age', Early Medieval Scotland (AD 300-900) was a crucible of different languages and cultures, the world of the;

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Scotland from Pre-History to the Present

From the early settlers after the last Ice Age, and the myth and ritual that surrounds that prehistoric period, Fiona Watson charts the;

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The Art Of The Crusaders In The Holy Land 1098-1187

The Art of the Crusaders in the Holy Land, 1098-1187 examines the art and architecture produced for the Crusaders in Syria-Palestine during;

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Anglo-Saxon Art

manifestations in the metalwork and ceramics of the early settlers, Anglo-Saxon art displays certain inherent and highly distinctive stylistic and;

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Early Celtic Art in Britain and Ireland

and souls of early Celts. Much of the surviving art decorates metalwork, usually weapons or items of personal adornment; there is little or no;

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Royal Forteviot

A detailed report on excavation of early historic features at Forteviot in eastern Scotland by the University of Glasgow's Strathearn;

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Scotland

Scotland is unusually rich in field monuments and objects surviving from early times. This comprehensive survey of Scotland's prehistoric;

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Medieval Scotland

In the eleventh century there was no such identity as Scotland. The Scots were one of several peoples in the Kingdom of the King of Scots;

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Enemies of Rome

The artists of Ancient Rome portrayed the barbarian enemies of the empire in sculpture, reliefs, metalwork and jewellery. Enemies of Rome;

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Peopling Insular Art

The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval;

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The Picts

view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European;

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The Picts

view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European;

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Alba

Picts and the first medieval writings in the area. It investigates such areas as Galloway as well as surveying politics, culture and the;

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Early Scotland

prominent literary scholar. The text presents a detailed study of life in early Scotland, encompassing the Picts, the Scots, and the Welsh;

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The Makers of Scotland

story of how ancient North Britain became the medieval kingdom of Scotland is told.;

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Nicola Pisano and the Revival of Sculpture in Italy

Nicola Pisano was a much admired thirteenth-century Italian sculptor and architect, often considered to be the founder of modern sculpture;

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English Medieval Sculpture

medieval period. It was created as a response to the increasing popularity of art history, providing students with a detailed, yet accessible;

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Picts and Britons in the Early Medieval Irish Church

and Pictish men and women in the early medieval Irish Church, and asking what we can piece together of their lives from the often fragmentary;

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Early Christian Symbolism in Great Britain and Ireland Before the Thirteenth Century

The civil engineer and archaeologist John Romilly Allen (1847-1907) delivered the Rhind lectures of the Society of Antiquaries of Scotland;

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Corpus Of Anglo-Saxon Stone Sculpture

the thought-world of early medieval people. This volume surveys the western Midland counties of Gloucestershire, Herefordshire, Shropshire;

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The King in the North

Some years ago a revolution took place in Early Medieval history in Scotland. The Pictish heartland of Fortriu, previously thought to be;

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The Picts of Scotland

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The Picts

The Picts were an ancient nation who ruled most of northern and eastern Scotland during the Dark Ages. Despite their importance in Scottish;

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Peerless Images

A survey of the figural arts of the Iranian world from prehistoric times to the early-20th century, considering themes rather than styles;

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Kings and Kingship in Early Scotland

The kingdoms of the Dal Riata and the Picts, by their union in the ninth century, formed the nucleus of medieval Scotland. The author, a;

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