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Approaches to Teaching the Dramas of Euripides

Approaches to Teaching World Literature 73.;

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Euripides and the Gods

Modern readers find it hard to come to terms with the gods in Euripides' dramas. Readers try to dismiss them as a literary convention;

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The Tragic Middle

The Tragic Middle links the philosophical texts of Aristotle with the tragic dramas of Racine and Euripides to show that tragic dramas;

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Heroes of the City of Man

''[Analyzes specific ancient epics and Greek dramas in the light of Christian beliefs. Ancient poets and playwrights discussed: Hesiod;

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The Art of Euripides

of viewpoints expressed. It argues that the dramas of Euripides, through their dramatic technique, pose a strong challenge to simple formulations;

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Art Of Euripides

of viewpoints expressed. It argues that the dramas of Euripides, through their dramatic technique, pose a strong challenge to simple formulations;

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Essays on Euripidean Drama

Women. Norwood takes a character-driven approach to Euripides' dramas, while also examining practical problems such as the arrangement of the;

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Euripides and the Boundaries of the Human

parallels that unite a diverse canon of works. Euripides is often referred to as the most modern of the three Ancient Greek tragedians, but in what;

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Euripides

structures, syntax and vocabulary; poetic form and Euripides' innovative approach to composing tragedy; textual variation between manuscripts; the;

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Euripides

structures, syntax and vocabulary; poetic form and Euripides' innovative approach to composing tragedy; textual variation between manuscripts; the;

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Euripides

structures, syntax and vocabulary; poetic form and Euripides' innovative approach to composing tragedy; textual variation between manuscripts; the;

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Ancient Greece

Age of Athens to the campaigns of Alexander the Great. The second half concerns ancient Greece's buildings, sculptures, mythology and dramas;

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Teaching TV Drama

suggests different approaches to teaching the topic by referring to contemporary television drama in both Britain and America. It shows how you can;

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Classical Mythology

Classical Mythology: Images and Insights grew out of the authors’ many years of teaching Greek and Roman myth to undergraduates at;

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A Companion to Euripides

A Companion to Euripides is an up-to-date, centralized assessment of Euripides and his work, drawing from the most recently published texts;

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Nine Greek Dramas by Aeschylus, Sophocles, Euripides, and Aristophanes

, which constitute his trilogy known as the Oresteia; and Prometheus Bound, about the downfall of the god who gave fire to humanity from SOPHOCLES;

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Euripides Alcestis, Medea, Hippolytus

This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range;

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The Agon in Euripides

of Euripides' relationship to fifth-century rhetorical theory and practice. The main body of the book, however, is devoted to interpretations of the;

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The Medea of Euripides

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Phaethon

. Euripides explains how this happened: Helios had seduced Phaeton's mother - already betrothed to another - and as the price of her seduction;

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The Tragedies of Euripides, Vol 1

In this volume of Euripides tragedies you will find the pays Hecuba, Orestes, The Ph nician Virgins, Medea, Hippolytus, Alcestis, The;

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An Enquiry into the Transmission of the Plays of Euripides

Originally published in 1965, this book is concerned with the process through which the plays of Euripides were transmitted across;

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Euripides, Herakles

translation of Euripides' classic tragedy, and also provides the reader with an introduction to the context in which the tragedy unfolds. Volume 1;

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Stagecraft in Euripides

work explores the ways Euripides utilises the latter to make a point: to underline some issue, to suggest a contrast, or to shift the focus;

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Stagecraft in Euripides (Routledge Revivals)

work explores the ways Euripides utilises the latter to make a point: to underline some issue, to suggest a contrast, or to shift the focus;

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The Medea Of Euripides

Euripides (Ancient Greek: ÎÏριÏιδηÏ) (ca. 480 BC - 406 BC) was the last of the three great tragedians of classical Athens (the other;

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Plays of Euripedes

revolution in the way we view classical drama generally and Euripides in particular. The Plays of Euripides reflects that revolution and aims to show;

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