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into account in the writing of this book. An Introduction to Eighteenth Century Fiction is a comprehensive and accessible introduction to;
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into account in the writing of this book. An Introduction to Eighteenth Century Fiction is a comprehensive and accessible introduction to;
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Eighteenth-Century Fiction on Screen offers an extensive introduction to cinematic representations of the eighteenth century, mostly;
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ground, with Defoe, Fielding, Richardson and Burney as early exponents of the novel form. The Cambridge Introduction to the Eighteenth-Century;
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Eighteenth-century philosophy owes much to the early novel. Using the figure of the romance reader this book tells a new story;
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First published in 1951 (this edition in 1967), this book forms the first part of Arnold Kettle's An Introduction to the English Novel;
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First published in 1951 (this edition in 1967), this book forms the first part of Arnold Kettle's An Introduction to the English Novel;
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accurate description of a distinct component part of eighteenth century English fiction in its relation to its French sources and to the general;
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accurate description of a distinct component part of eighteenth century English fiction in its relation to its French sources and to the general;
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ground, with Defoe, Fielding, Richardson and Burney as early exponents of the novel form. The Cambridge Introduction to the Eighteenth-Century;
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from a church steeple. Eighteenth-century fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While;
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from a church steeple. Eighteenth-century fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While;
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The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth;
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The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth;
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First published in 1951, the two volumes of An Introduction to the English Novel discuss how and why the novel developed in England in the;
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The Orphan in Eighteenth-Century Fiction explores how the figure of the orphan was shaped by changing social and historical circumstances;
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fiction as an eighteenth-century reader or writer might have seen it. Through a consideration of all 475 works of fiction printed over the four;
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, and Wilmington. An informative introduction discusses how newspapers were published in the eighteenth century and surveys those printed;
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reception of eighteenth-century fiction, this collection contributes to developing our understanding of the form of the early novel, its place in a;
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reception of eighteenth-century fiction, this collection contributes to developing our understanding of the form of the early novel, its place in a;
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a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists;
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a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists;
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This book recovers the importance of a major figure in eighteenth-century British fiction: the Heroine of Disinterest. The disinterested;
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-Century Fiction crystallizes three pivotal types of orphan in the long eighteenth century: the foundling, the heiress and the dispossessed child;
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Desire and Truth offers a major reassessment of the history of eighteenth-century fiction by showing how plot challenges or reinforces;
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In Eighteenth-Century Fiction and the Law of Property, Wolfram Schmidgen draws on legal and economic writings to analyse the description;
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In Eighteenth-Century Fiction and the Law of Property, Wolfram Schmidgen draws on legal and economic writings to analyse the description;
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