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A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns;
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The Crime Fiction Handbook presents a comprehensive introduction to the origins, development, and cultural significance of the crime;
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Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction;
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Christie, Ngaio Marsh and Margery Allingham, P. D. James brings a lifetime of reading and writing crime fiction to bear on this personal history;
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including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction;
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including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction;
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in American crime writing from the Golden Age to hardboiled detective fiction. This study is essential to scholars and an ideal introduction to crime;
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in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those;
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in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those;
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better understand the phenomenon of the mafia gangster, I will give a brief account of American crime fiction followed by a description of the;
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compilation of essays attempts to trace the reasons behind this ongoing popularity as well as to offer a closer reading of a number of crime fiction;
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Crime fiction has been one of the most popular genres since the 19th century, but has roots in works as varied as Sophocles, Herodotus, and;
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Crime Fiction in German is the first volume in English to offer a comprehensive overview of German-language crime fiction from its origins;
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Crime Fiction in German is the first volume in English to offer a comprehensive overview of German-language crime fiction from its origins;
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Peter Swirski looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and;
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Peter Swirski looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and;
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A Counter-History of Crime Fiction takes a new look at the evolution of crime fiction, drawing on material from the Middle Ages;
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, modernist authors became fascinated by crime and its perpetrators, as well as the burgeoning genre of crime fiction. Throughout the period, a;
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The detective figure in contemporary American crime fiction increasingly relies on revenge to bring about justice in a society where there;
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-boiled detective and on to the secret agent. This book is a lavishly illustrated history of this crucial time in what is perhaps the most popular;
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Crime fiction world of the late 1970s, with its increasingly diverse landscape, is a natural beginning for this collection of critical;
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then (the American 1930s) to now (the Swedish post-1990s), we must explore, through a Marxist reading of several central works of crime fiction;
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Fiction spells out the context into which Nordic crime fiction fits through thirteen articles on the history, aesthetics, and film and television;
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A collection of ten original essays forging new interdisciplinary connections between crime fiction and film, encompassing British, Swedish;
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Crime fiction has become a key element in Latin American literature. The rise in production of the genre can be explained by an urgency;
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role in American culture. Its ability to register fear, desire and anxiety has made it a popular genre with a wide audience. These new essays;
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Are you a lover of crime fiction looking for new discoveries or hoping to rediscover old favourites? Then look no further. There are;
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