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A Cinema of Poetry Aesthetics of the Italian Art Film

total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly;

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Theorizing Art Cinemas

art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole;

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Cinema Of Italy

-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the;

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Capital and popular cinema

popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific;

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Verse, Voice, and Vision

Vision: Poetry and the Cinema, Marlisa Santos has compiled essays that explore the relationship between one of the world's oldest art forms;

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National Film Traditions

conceptions (and misconceptions) of national identity. It also demonstrates the vital links between Italian film and other art forms, including opera;

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The History of Italian Cinema

panoramic guide. A delight for film lovers everywhere, The History of Italian Cinema reveals the full artistry of Italian film.;

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The A to Z of Italian Cinema

provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography;

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New Visions of the Child in Italian Cinema

The figure of the child has long been a mainstay of Italian cinema, conventionally interpreted as a witness of adult shortcomings, a vessel;

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The Rise and Fall of the Italian Film Industry

Italian cinema triumphed globally in the 1960, with directors such as Rossellini, Fellini, and Leone, and actors like Sophia Loren and;

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The Rise and Fall of the Italian Film Industry

Italian cinema triumphed globally in the 1960, with directors such as Rossellini, Fellini, and Leone, and actors like Sophia Loren and;

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Cinema in Muslim Societies

This book collates a comprehensive range of fascinating essays by leading authors on film from across the Muslim world. Responding to;

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Cinema in Muslim Societies

This book collates a comprehensive range of fascinating essays by leading authors on film from across the Muslim world. Responding to;

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Dreamscapes in Italian Cinema

Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film;

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Dreamscapes in Italian Cinema

Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film;

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After Fellini

Over the past twenty-five years, Italy's film industry has produced a remarkable number of award-winning international art-house hits;

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The Body in the Mirror - Shapes of History in Italian Cinema

of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the;

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The Body in the Mirror - Shapes of History in Italian Cinema

of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the;

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Gianfranco Baruchello

overlap between art and cinema. Inspired by Marcel Duchamp and supported by John Cage, the film was premiered in Paris at La Cinematheque;

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Cinema India

As the largest producer of films in the world, Indian cinema is both a major industry and a distinctive art form that permeates daily life;

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Australian Cinema in the 1990s

This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular;

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Australian Cinema in the 1990s

This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular;

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Queer Cinema in the World

studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer;

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Cinema

Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks;

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Film, Art, New Media

history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and;

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Interpretazioni

in Italian through Film, the activities based on the films are divided into three main categories (before, during, and after viewing the film) with a;

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The Aesthetics of Self-Becoming

, he considers the ontology of pictorial art, sculpture, installation and assemblage works, architecture, literature, cinema, and music. His;

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