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The Prose Reader
in critical thinking as the foundation for close reading and effective writing. Just as important, by exposing the reader to interesting and;
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Think Reader
it considers the way we read. Reader-designed writing effectively harnesses the resources we use to read: memory, attention, and knowledge;
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How to Fix Fiction
This book, written by a true professional, guides the reader through the various stages of writing fiction. The author, Peter Porosky, has;
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The Art of Writing Fiction
The Art of Writing Fiction guides the reader through the processes of creative writing from journal-keeping to editing, offering techniques;
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The Art of Writing Fiction
The Art of Writing Fiction guides the reader through the processes of creative writing from journal-keeping to editing, offering techniques;
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The Reader
years of The Reader by bringing together writing by Seamus Heaney, Carol Rumens, David Constantine, Les Murray, Alan Davis, Ann Stapleton, and;
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The Short Prose Reader
The Short Prose Reader is a rhetorically organized reader that maintains the best features of the earlier editions: lively reading;
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Longman Reader Brief Edition
rhetorically organized freshman composition reader. The Longman Reader, Brief Edition features highly praised writing pedagogy in a rhetorically;
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Business Writing Workbook
This attractive and affordable interactive workbook provides the reader with a practical approach to business writing skills. In particular;
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Persuasive Writing
convince even the most sceptical reader Whether you're writing for business or for pleasure, the longest document or the shortest email, with these;
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Critical-Creative Writing: Two Sides of the Same Coin
Critical-Creative Writing: Two Sides of the Same Coin is a Reader which bridges the gap between Creative Writing (CW) how-to handbooks, and;
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The Reader
Most literary magazines focus on the craft of writing and cater to a highly select audience of writers, literary critics, and scholars;
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Brief Guide to Writing Academic Arguments, A
A Brief Guide to Writing Academic Arguments prepares the reader to read and write the types of argument-related source-based writing they;
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The Reader V22 -- Russians
Most literary magazines focus on the craft of writing and cater to a highly select audience of writers, literary critics, and scholars;
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The Reader
Most literary magazines focus on the craft of writing and cater to a highly select audience of writers, literary critics, and scholars;
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The Routledge Reader on Writing Centers and New Media
This collection of essays appears on the wave of digital media tutoring developments in university and college writing centers in the;
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Scientific Writing 2.0
the first time that a book on scientific writing takes a human factor view of the reading task and the reader scientist. By revealing and;
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Scientific Writing 2.0
the first time that a book on scientific writing takes a human factor view of the reading task and the reader scientist. By revealing and;
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Kierkegaard
major works, and integrates his writing into his biography* Employs a unique how to approach to help the reader discover individual texts on;
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Kierkegaard
major works, and integrates his writing into his biography* Employs a unique how to approach to help the reader discover individual texts on;
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Writing Spaces
strategies for writing by addressing the undergraduate reader directly. Designed for first-year composition. ;
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The Reader
Most literary magazines focus on the craft of writing and cater to a highly select audience of writers, literary critics, and scholars;
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How To Write Graded Readers
about who the target audience is. She then moves on to look at the preparation and research that goes into writing a Graded Reader, including;
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Writing Women
and sometimes unexpected insights. Writing Women aims to both demystify feminist critiques of fiction and to remind the reader that feminist;
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Content is King
for online sources. The differences between writing for online and offline are highlighted to enable the reader to distinguish between the two;
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Content is King
for online sources. The differences between writing for online and offline are highlighted to enable the reader to distinguish between the two;
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