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Performances of the Sacred in Late Medieval and Early Modern England

historically employed to manifest and manage versions of the sacred. But since their performances inhabit social space, this often functions as a;

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Power in Performance

Among the Weyewa of the eastern Indonesian island of Sumba, spokesmen seek to inscribe their traditions and sacred obligations through;

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Satyric and Heroic Mimes

, many of the sacred functions of mime in early rituals were carried into later secular performances. The second part looks at pantomime, from;

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Clothing Sacred Scriptures

perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual;

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Medieval and Early Modern Performance in the Eastern Mediterranean

-theatrical performances in folk and other celebrations. It explores performance of the secular as well as of the sacred in its many forms, including;

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Sacred To Profane: Writings On Performance And Worship

connections between socio-economic factors and religious devotion. Or the commissioned street performances of the sacred tale of Mother Sitala;

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Sacred to Profane - Writings on Worship and Performance

connections between socio-economic factors and religious devotion. Or the commissioned street performances of the sacred tale of Mother Sitala;

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The Performances of Sacred Places

This is the first book to explore the notion of sacred places from the perspective of performance studies and presents both practice-as;

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Shaping the Archive in Late Medieval England

in order to demonstrate how medieval artists turned to sacred history to think through aspects of cultural transmission. Performances of the loss;

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