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Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From;
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the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the;
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he contrasts Greek New Comedy with other traditions of masked comedy, and shows how different Roman conventions of performance rest upon;
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Miles Gloriosus or Braggart Warrior is one of the best-known and liveliest Roman comedies. It shows Plautus at his ablest in ingenious;
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Comedy and their later Roman adaptations. There she identifies similar scenarios, especially in disputes concerning sexual violations, the;
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Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and;
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considers the achievements of the Greeks in their art and architecture, tragedy and comedy. Turning to Rome, it engages with Roman history, the;
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in English on the relationship between Roman satire and Old Comedy, Roman Satire and the Old Comic Tradition will appeal to students and researchers;
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When A Young Man Falls in Love examines the plays of New Comedy to reveal how the sexual relationships between the male and female;
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When A Young Man Falls in Love examines the plays of New Comedy to reveal how the sexual relationships between the male and female;
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of Roman theatre, the extant plays of Plautus, Terence and Seneca, and the many works of comedy, tragedy, mime and pantomime that no longer survive;
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Graeco-Roman New Comedy has traditionally provided a source for legal historians examining the language and operation of law both in Athens;
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Offers a comprehensive overview of Greek and Roman figural imagery, counterbalancing studies conducted on single genres. It examines case;
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Offers a comprehensive overview of Greek and Roman figural imagery, counterbalancing studies conducted on single genres. It examines case;
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insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman;
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insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman;
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in Old Comedy, receive a prominent place. The essays are arranged in three sections: (1) Genre, (2) Texts and Contexts, (3) Reception;
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The Cambridge Companion to Roman Comedy provides a comprehensive critical introduction to Roman comedy and its reception through more than;
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The Cambridge Companion to Roman Comedy provides a comprehensive critical introduction to Roman comedy and its reception through more than;
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. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus' dramatic;
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. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus' dramatic;
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, religious, and social factors, as well as by the personalities of the poets themselves. Looking at genres from tragedy to comedy to satire, he also;
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It is well known that ancient Greek comedy is interested in food and wine. Many plays conclude with a feast: further, they were produced at;
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foundational Roman genre. This book sketches a more coherent picture of Catullus' use of Roman comedy and shows that individual points of contact with;
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foundational Roman genre. This book sketches a more coherent picture of Catullus' use of Roman comedy and shows that individual points of contact with;
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